Advised to face the facts and move forward after seven years without him, even Lara can’t understand what drives her to finally solve the puzzle of his mysterious death. Determined to forge her own path, she refuses to take the reins of her father’s global empire just as staunchly as she rejects the idea that he’s truly gone. Now a young woman of 21 without any real focus or purpose, Lara navigates the chaotic streets of trendy East London as a bike courier, barely making the rent, and takes college courses, rarely making it to class. Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished when she was scarcely a teen. Maybe some ancient properties are best left undisturbed.The Tomb Raiderreboot will hit cinemas on March 16, 2018.
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But he never succeeds in combining Saturday-serial fun with a sense of dread, the way Steven Spielberg did in that other movie series about tomb raiding. Given that the cartoonish, Jolie-starring Tomb Raiders were pretty boring, it's easy to see why Uthaug would try a more sober approach to the franchise. We're told that living on the cursed island has driven him mad, yet he expresses his Colonel Kurtz-itude in wooden lines like "You shouldn't have come here, Lara Croft." Even Maze Runner: The Death Cure, in which the actor recently appeared with his nose digitally removed, gave him juicier material. In her defense, even Goggins, who specializes in colorful, semi-unhinged villains, can't do much with his role as the heavy here. A couple scenes later, however, she's cured, and it's time to raid a tomb and solve some puzzles!Ī movie with this level of tonal whiplash needs a big, bold, charismatic star to keep the audience grounded with sly winks and nudges - a Nicolas Cage, a Gal Gadot. Uthaug extends the scene to highlight her agony we could be watching a dark survival thriller where recklessness has consequences. The actor was magnetic in Ex Machina, but all she really does well here is suffer, and none of that suffering adds up to much.įor instance, the film's most thrilling set piece, involving a crashed plane and a waterfall, leaves Lara gravely injured.
Yet Uthaug treats this popcorn narrative with solemnity.Īnd Vikander trudges studiously through it, striving to bring dramatic gravity to Lara's battles with ancient booby traps and gun-toting bad guys. She takes only one companion (Daniel Wu) and makes virtually no preparations. The plot is pure silliness: Having learned that her dad was seeking the tomb of an evil queen on a "forbidden" island, Lara instantly heads there. That's typical of the film's dialogue, which spells things out without wit or style.
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Her faith that her beloved daddy is alive is vindicated by the discovery of a secret chamber full of forged passports, maps and mysterious artifacts, which inspires her to muse aloud, "Dad, what were you up to?" Our story opens with Lara, heiress to a corporate empire, scrounging out a living as a bike courier because she refuses to sign a document declaring her missing father (West) dead. The problem is, that's a contradiction in terms. Director Roar Uthaug, who made the scary Norwegian disaster movie The Wave, seems to be going for a more reality-based Tomb Raider. But gone is the Jessica Rabbit absurdity of heroine Lara Croft (Alicia Vikander), who is now lean, mean and first seen getting her ass whipped at a London boxing gym.
The material is still your basic Indiana Jones homage: Girl raids ancient tombs girl fights people who want to raid ancient tombs for more nefarious reasons. In 2013, the game received a "gritty" reboot, and now the film series has one, too. The unmemorable Lara Croft: Tomb Raider duology (20), starring Angelina Jolie, marked the first effort to translate the long-running Tomb Raider video-game series to the screen. But neither they nor anything else can make this rote action-adventure exciting. Tomb Raider offers a double dose of slumming small-screen thespians: Dominic West ("The Affair," "The Wire") and Walton Goggins ("Justified").
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One of the pleasures of mediocre tentpole movies is watching our favorite TV actors stroll through them, earning paychecks.
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